MICHAEL NAJJAR
outer space
March 31 - May 14, 2016

outer space

 
 

MICHAEL NAJJAR
March 31 - May 14, 2016
Benrubi Gallery is pleased to announce German photo and video artist Michael Najjar's solo exhibition, outer space – the artist’s first show with the gallery and the first major showing of this series in New York City. outer space explores the latest development in space travel and how it is shaping future life on earth and in near-earth orbit. Informed by Najjar’s training to become the first civilian artist to fly to space, the series of large-scale photographs capture an intense and immersive futuristic world, inspired by cutting-edge aeronautic technologies and the nascent space tourism industry. The potential of the photographic image is pushed to new frontiers as realistic elements fuse with fictitious realities to make visible what is invisible or beyond human perception.

 
Central to outer space is Najjar’s personal experience with space flight and the performative aspect of the exhibited images. As one of the pioneer astronauts of Richard Branson’s Virgin Galactic, Najjar has been undergoing an intensive, multistage cosmonaut training in Star City, Russia, since 2012, and is scheduled to board SpaceShipTwo in the near future. The artist uses the actual experience of training (zero-g flight, centrifuge training, stratosphere flight, and underwater space walks, to name a few) to create complex and never-before carried out photos that examine vital connections between humans and technology. Reality and simulation are so intertwined that they become indistinguishable, allowing for novel ways of seeing. Video artworks based on Najjar’s extreme training will be shown as part of the exhibition.
 
The acceleration in aeronautic research and industry and the birth of commercial space travel has brought humanity on the verge of a new era. The images of outer space – the ultra-high resolution telescope “golden eye II,” the world’s largest centrifuge, the first private spaceport, mineral mining on the moon, or space debris orbiting around the earth at fast speed – all address these technological advancements, attempting to elucidate their important cultural implication through artistic transformation. “By leaving our home planet and flying to the moon or other planets, we change our understanding of who we are and where we come from,” Najjar says. “The point is to reflect on our world and what it means to us and the generations to come after us. It’s about the very origins of the self.”

Photographer and videographer Michael Najjar was born in Landau, West Germany in 1966 and has lived in Berlin since 1988, where he attended the Bildo Academy for Arts. His  work focuses on the way in which computer and information technologies impact the world, fusing realistic elements with fictitious realities to make visible certain aspects of the modern world that are normally beyond the limits of human perception. Najjar's concepts magnifies and re-examines the potential of the photographic image through constant reconstruction of time and space using a wide range of techniques. 
 
In high altitude (2008 – 10), Najjar climbed Mount Aconcagua in the Argentinian Andes, and, at 22,841 feet (6,962 meters) the highest mountain in the world outside of Asia. From its summit, Najjar took multiple photos of the Andes’s highest peaks, then repatterned the shots so that the mountains’ outline parallel the fluctuations of international stock exchange indices, giving tangible shape and impact to the invisible movements of global markets.
 
In outer space (2011 – current), he explores the latest development in space travel and how it is shaping future life on earth and in near-earth orbit. Informed by Najjar’s training to become the first civilian artist to fly to space, the series of large-scale photographs capture an intense and immersive futuristic world, inspired by cutting-edge aeronautic technologies and the nascent space tourism industry. 
 
Najjar’s work has been included in many international museum exhibitions and biennials, including the Joan Miró Foundation in Barcelona, the 2006 Venice Biennale’s 10th International Architecture Exhibition, the 9th Havana Biennale 2006, Convergence Biennale Beijing 2007. In 2008, Najjar had his first mid-career retrospective at the Museum for Photography and the Museum for Contemporary Art GEM in The Hague. In 2015 he was selected to exhibit at the ZKM I Globale’s “Exo-Evolution” curated by Peter Weibel. 
His work is represented in numerous public collections including ZKM Museum for Contemporary Art, Karlsruhe; Museum Ludwig, Cologne; Museum Deichtorhallen Hamburg; Gemeente Museum, The Hague; CAC Museum Málaga and in many leading corporate and private collections.
 

Artist C.V.